Bryce's Domain

A blog of all things sci-fi -- books, board games, and whatever else is on the shelf.

The purpose of this blog is to have a little fun. It is NOT to start arguments. I don't profess to be an expert on sci-fi, nor do I aspire to become one. You are welcome to comment on any and all content you find here. If my opinion differs from yours, as far as I am concerned, it's all okay.

Posts will hopefully be regular based on the books I read and the games I get to the table, as well as whatever else strikes me as noteworthy.

***SPOILER ALERT***
Spoilers will appear here and are welcome.

book review · The Core of the Sun

The Core of the Sun

Rating: 5 / 5

The Core of the Sun paperback cover, rows of identical pale silhouette women flanking a bright red chili pepper against black

I went in cold on the “Finnish Weird” label and came out wanting to read everything else that gets filed under it. Johanna Sinisalo has built a dystopia where decades of state-sponsored eugenics split women into two engineered categories, the docile, decorative eloi bred for wifehood and the plain, capable morlocks shoved into the menial labor no one wants to romanticize, and capsaicin, chili pepper heat, has been criminalized as a dangerous stimulant right alongside anything else that might wake a person up. That last detail sounds like it should be the silly one. It is not. The pepper addiction plotline is doing genuine metaphorical work about appetite, control, and what a state decides is dangerous about a woman feeling something intensely, and it never once tips into camp.

The structure helps a lot. Sinisalo splices in journal entries, in-world scientific pamphlets, propaganda excerpts, and a first-person narrative from Vanna, an eloi who was actually born a morlock and has spent her whole life performing the wrong role well enough to survive it. That mixed-format approach is where the book earns its comparisons to The Handmaid’s Tale without just copying its homework, this isn’t Atwood with a Nordic accent, it’s its own specific, chili-scented nightmare with its own internal logic about how a government decides which pleasures are load-bearing enough to ban.

I’ll be honest that the back third sags a little, the pacing loosens right when I wanted it to tighten toward the ending, and depending on the translation you land on the prose can read a touch dry in places where the English clearly wants more heat than it’s got. But the ideas never stop being strange in a way that feels earned rather than random, and the ending is genuinely one of the more original gut-punches I’ve read from this kind of book in years. If you’ve already worn out your Atwood shelf and want something that’s found its own way to be furious about the same subject, start here.

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